Possibly Inappropriate

If you haven’t caught the latest Canlit controversy, go Google. Look up The Writers Union of Canada and “The Appropriation Prize.” I’ll wait.

I may be the worst person to talk about cultural appropriation, because frankly, I’m not much of an activist. I’m more of a sedentarist, really. (Did that pun make sense?)

Owing to a pretty privileged life and having not had significant exposure to major publishing, cultural appropriation as it affects me, personally, to date, seems to largely boil down to a lot of eye-rolling and general irritation. (I swear, if I read one more story about a magical spiritual experience in India….) But I get that it affects other people and other cultures much more deeply and painfully. Maybe I don’t get it on a gut-wrenching level, but I can see that this has happened to other people.

Here’s the part I don’t get.

In all the crying and hand-wringing over “I’m a writer, and it’s my job to put myself in other people’s shoes, and why can’t I write about whatever I want to?”, who exactly is holding an actual gun to people’s heads and saying “Writing about a marginalized culture, eh? You feeling lucky, punk?”

No one is actually stopping anyone from writing these things. Hell, by most reports, no one is actually stopping anyone from publishing these things, either. Write whatever the fuck you want, there’s no pen and paper embargo preventing you from doing so.

But, more and more, people are saying, hey, stop that. You are hurting me with your words. You should not hurt people with your words. You should be careful with those things. Maybe instead try writing things that don’t use and damage and hurt people, mmkay?

Is that so terrible?

I mean yes, there are other power dynamics to this, and people are losing plum jobs because when the are in a position where they get to amplify certain voices, they are picking (and sometimes celebrating) the ones that are hurting other people…. but at the base level, we’re still down to looking at the words. Which ones did a writer choose?

Seriously, is all of this because some people want to write what they want to write without being held responsible for the words that they put out into the world?

They don’t want to face criticism for what they’re doing? (Clearly none of these people have a mother like my mother.)

I’m trying to understand who writes and publishes so cavalierly that they don’t understand that words have power. Art has power. Why else do we do this if we don’t think words can do something real? So when we use that power–even unintentionally–and hurt other people with it, why disbelieve that the words hurt?

Like, I get that nobody likes to be told their wrong. And the 140 characters on Twitter from people who are so damn fed up with all this that maybe they don’t have time or energy to stay it nicely anymore can be harsh. It’s upsetting. I can see why people get huffy or defensive…. heck, if I were in the midst of a tweetstorm, that would probably be my first reaction, the reaction that’s emotional and easy instead of the more reflective “Damn. I fucked up.”

Nobody likes to put their precious words out there and get told that they used their words wrong. In writing this post and putting it out there, maybe someone is going to reply and tell me that I’m privileged and naive and that I used my words wrong. But I’m still responsible for my words.

And it continues to puzzle me, in all of the “Isn’t this censorship?” and “Writers can imagine themselves in other people’s shoes” and “This my artistic choice!” You are being held responsible for your words. You may be shocked to discover that your responsibilities are much larger and more wide-reaching then you realized when you hunched over your laptop and first tapped them out. Your use of words might result in major consequences for your life. This may suck.

But you do not have a special calling that absolves you from responsibility for your words.

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Interview: Following Your Bliss

Recently, a friend of mine put out a call to talk to people who felt their work was a calling. This has lead to a series of interviews about following your bliss, including one with me that you can read here. But do keep an eye on this blog series.

I think one of the hardest thing for writers, especially in the beginning, is realizing that they are writers.  They don’t need a degree, they don’t need publication credits, they don’t need some fairy godwriter to come down from the heavens and anoint them as writers.

To my mind, so much of this is tied to the notion of tangible success being a determining factor about whether or not something is worthwhile to do. That one cannot legitimately claim to be a writer without showing proof of their writerliness. This isn’t true.  Writing isn’t like being a doctor–you need a certain about knowledge and training and qualifications to be a doctor. To be a writer, all you need is to write. It’s so simple that sometimes it’s hard to absorb.

I think were it also gets problematic is that other people, non-writers, figure that if being a writer only requires writing, then it has no value because most people can construct words and sentences into something comprehensible. What’s so hard about that? But this is the difference between writing well and just putting words on paper.

So in some ways, the only thing to really be a writer is to care about your writing. To have it matter to you. To want it to be more than just basically functional, but for it to be good, to be beautiful, to make you think, to make you feel–whatever writing that matters looks like to you.

None of that is a promise of success. Granted, doing something well gives you better chances of success than doing something poorly. But there are no guarantees.

But you probably know that. If you’ve been writing for a little while, if you’ve tried to submit work anywhere, you probably know that just having written something you think could maybe be good is no guarantee that other people will decide to publish it, let alone pay you money for it, let alone pay you a lot of money for it.

But you still wrote. You still tried. You are still trying.

That’s why you’re a writer.


(Psst! I have a class starting next week and there are just 2 spaces left!)